主唱:胡日查 Hurcha (vocals)
来自青海省海西蒙古自治州,长调歌手,原达尔汗乐队主唱

弹拨乐手:伊立奇 Ilchi (vocals/taobuxuur – 2-stringed lute)
来自内蒙古正蓝旗,呼麦歌手,乐队队长

马头琴手:胡格吉乐图 Hugejiltu (morin khuur – horse-head fiddle)
来自内蒙古扎鲁特旗,呼麦歌手,自幼学习马头琴和低音四胡好来宝

打击乐手:李旦 Li dan (percussion)
来自新疆昌吉,担任多支乐队爵士鼓手及打击乐手,从事摇滚乐多年

吉它手:徐京晨 Xu jingchen (guitar/banjo)
来自北京祖籍山东青岛人,多年从事摇滚乐,曾与伊立奇组建T9乐队

贝斯手:吴俊德 Wu junde (Bass)
原舌头乐队的贝斯手吴俊德

Hanggai
杭盖


China is a country of nations: Fifty-five different minority groups inhabit a wide range of the country’s geography. For many of these groups, music is the way in which their cultural survival is ensured. While China’s capital may seem like a strange place for a Mongolian folk revival, Hanggai, a five-piece folk outfit composed of ethnic Mongolians, is captivating Beijing’s rock-heavy music scene with their brand of traditional Mongolian music with a contemporary feel.

Traditional Mongolian music is based in the rhythms and sounds of horseback riding, wherein lie the roots of its culture. Hanggai combines primarily traditional instruments – the morin khuur, or horse-head fiddle, and the tobshuur (two-stringed lute) – with a throat singing technique (hoomei) that has been handed down over the course of more than two millennia and elicits the rolling plains of the Mongolian grasslands. Indeed, the band’s name is an ancient word that refers to a heavenly combination of the best of the Mongolian landscape – big blue skies, mountains, rivers, trees. A tasteful addition of modern flavour is the result of the group’s time in Beijing’s rock underground in a variety of bands and is balanced by their commitment to preserving the traditions of Mongolian music through regular musical pilgrimages to Inner Mongolia.

Hanggai has been called “one of the more soulful groups in town” by one of Beijing’s major media outlets, and is leading the charge of a small collection of folk musicians bringing traditional music into the urban scene. The band has performed to audiences of thousands at the massive Gegentala Inner Mongolian Rock Festival (Aug 05) and at Beijing’s Midi Music Festival (Oct 05); in support of (and in jam sessions with) Norwegian group Poing and Nettwerk Records folk artist Abigail Washburn’s November 2005 tour of China; and in venues around the country. The group’s self-produced and self-distributed release is a surprising listen: Recorded primarily with one microphone, its sales – only off the stage at Hanggai shows – represent a desire on behalf of Beijing audiences for a return to the roots.

For more information, visit hanggaiband.com (Chinese) or contact Jon Campbell at jon@ygtwo.com

Linking ancient Mongolian musical traditions with their contemporary urban living experience, Hanggai is trying to create a unique sound of the ethnic Mongolian people in China.